Getting Aids From Drinking Blood

The journey of the Italian poetry of A. Contilia (from Sondrio to Puglia)

After his return from the "Bartleby" in Bologna, where (11 February 2011) attended the meeting of the poets of "Trampling the oblivion" - poets in revolt against the ideology of separation (practiced by the regime Italian political and government) and for the unity of the struggles of the world of culture - we learn that the writing of poetry Contilia was received in two other editorial collective. And the lyrics are part of a new and wider poetic production in the pipeline. The first two editorial collective in 2010, in fact, were the anthology of 100 poets against the threat of unconstitutional of "Trampling the oblivion" (first edition e-book, and second in Ancona, ed. Argos) and the other of the 105 poets against the Mafia "L'unpoetic Mafia" (Sondrio, Edition CFR). Creators and curators of "Trampling the oblivion": Note Davide, Fabio Valerio Cuccaroni and earrings. Creator and editor of "The unpoetic mafia": Gianmario Lucini. The two other collective work of its holdings are:
1) "The Devil Spring" (Rome, Brew Edition) by Donato Di Stasi ;
2) the second edition of the "Poetry handmade ", in Puglia (Corato, BA), edited of Oronzo LIUZZI and a idea of \u200b\u200b Franco Altobelli .
The exhibition will open at Secopstore Corato from 15 February 2011 to 15 March 2011 .
"The devil spring sees the poems (including" Kakan Ssss ... Indigo ") together with those of Marsala Contilia Squarotti Giorgio Barberi, Domenico Cara, Velio Carratoni, Gianluca Di Stefano, Silvana Folliero , Tom and Vinicius Verzieri Putignano.
The exhibition of "Poetry hand-made" his lyrics are in the company of: Antonio DE MARCHI Gerin, Giorgio Moio, Thomas BINGO , Pasquale OF REASON, Marisa POPE RUGGIERO, Ferruccio Brugnara, Alfio FIORENTINO, Carl BUGLE , John AMODIO , Franco PIRI Focardi, Domenico CARA , Carla BERTOLA , Eugenio Miccini , David Argnani , Franco CAPASSO , Franco HORSE , Carlo Marcello ACCOUNTS , Catherine DAVINI , Tomaso Kemeny , Arrigo Lora- TOTINA , Ruggero MAGGI , Stelio Maria Martini, Giorgio BARBERI Squarotti , Angelo LIPPO , Nadia Cavalera , Enzo MIGLIETTA , Giancarlo Pavanello , Lamberto Pignotti , Gian Paolo ROFF, Mirko SERVETTO , Spaniards Antonio Franco GREEN, Mariella Bettarini , Irma BLANK , Victorinus CURCI , Massimo MORI, Lino Angiuli , Antonino Contilia , Michele PERFECT , Alfio Cangiani , Ornella Caramaschi LIUZZI , Vito Ventrella, Michael DE LUCA , Giulio Giancaspro , Alfonso LENTINI , Gino Gini , Fernanda FAITHS , Giorgio Manacorda , Anna WOODS, Vito INTINI , Alberto Vitacchio , Luciano CARUSO, Laura BLASI Maniscalco, Luisa VARESE, Guido CATALANO, Carmine Mario Muliere , Edward Carella, Sergio Rotini , Marco Palladino , Alberto MORI, Flavio IME , Liliana UGOLINI Alberto RIZZI, Dante MAFFIA , Vitaldo COUNT , Thu FERRI, Roberto Maggiana , Paul GUZZI , Eugenia SERAFINI, Maria Grazia MARTINA , Velio CARRATONI , Angela DE LEO, Nicola DE MATTEO , Matthew Bonsanti , Anna Maria FARABB I Altobelli with Franco, Vincenzo MASTROPIRRO , Samira NEGROUCE , Fernanda Ferraresso , Oronzo LIUZZI .
In the presentation of this exhibition ("poetry written by hand"), and the only statement of poetics which unites the poets and participating artists, says: in qu esta exhibition proposes a strong link between the conceptual aspect of poetry, visual appearance, and strips "writing from typography [...] that took precedence over manual. Writing, then, is not only emotions but also herself. The hand of the poet that vibrates, is uncertain, or shall secure clearance or discontinued, or linear nerve conveys that thin textual pleasure "or" science of the pleasures of language "[...] The aim of this exhibition is just not leave alone poetry in the meshes of typefaces, a tense relationship unique, intimate and privileged with the reader.

Cuccacoroni Valerio, Nadia Cavalera, Nino Contilia

An exhibition that wants to bring out the poem from his "great silence", from its space-time relationship with the player showing his physicality and becoming, as for painting, the privileged place of the look Donato Di Stasi, however, in his "The Devil in spring," writes the poet Marsala: Contilia Nino is an "engagé" and a "skilled jongleur linguistic statistical . " Whenever you come across in ilarotragiche textuality contilianiane you can not help but be alienated, and amused to mocking gaiety of their author, to his bad state of mind, when it collides with the Power of Building and the bitter aspects of the worst social approval. [...] energy capital of these verses does not know entropy [...] sewage is released from the blacks of postmodernity [...] expresses exasperation Our rebellion, which finds a way papal papal say it like it is. This is enough to leave the reader breathless. [...] Contilia Nino brings in all their destructiveness underlying a series of foreshadows the lame social act: praise the supine dictator, the Alfano / fish-piranhas of any law worthy of the name, and how many other comic-ironic-sardonic bursts on a suitcase full of dreams, the media is preparing for the entire battery, deployed against pauper, average, average man, beset by phobias and foie of any kind. Material precious [...] a sort of sing post-modern, from a rinverginito chansonnier Two thousand and adapted to the times of sulfur today, according to the cadences of rap technology, centered on the tout se tient ". short, a skilled jongleur engagé that escapes unique voice of the master.